This month we interviewed Irene Iborra, director of Olivia and the Invisible Earthquake, the first Catalan stop-motion animation feature film. The film was shot in Barcelona and is an adaptation of the novel The Film of Our Life, by Maite Carranza.
This month we interviewed Irene Iborra, director of Olivia and the Invisible Earthquake, the first Catalan stop-motion animation feature film. The film was shot in Barcelona and is an adaptation of the novel The Film of Our Life, by Maite Carranza.
This month we interviewed Raquel Díez Ventura, coordinator of the alliances, participation and volunteering area of ACAPPS (Catalan Association of Deaf People and their Families), who led the organization’s Apunts en Blanc project, and Andrea Amouzouvi, who has a degree in Psychology from the UNED and a master’s degree in Employment and the Labour Market from the UOC, and Eduard Folch, a graduate in Finance and Accounting from the URV. Both of them appear in the documentary Apunts en Blanc.
This month we interviewed Liliana Torres, the filmmaker who has just premiered her third film. Mamífera is the history of a woman who doesn’t want to be a mother. The film was shot in Barcelona.
This month we interviewed Jaume Banacolocha, CEO of Diagonal TV. The audiovisual production company is celebrating its 25th anniversary while bidding farewell to one of its big series, Amar es para siempre.
This month we interviewed Nina Caussa, a production designer who has worked on several films shot in Barcelona, such as Desmontando un elefante, No Traces, Pájaros and Esmorza amb mi. We talked with her about her profession.
This month we interviewed the Mexican film director Fernando Frías. His latest film I Don’t Expect Anyone to Believe Me was shot to a large extent in Barcelona. We talked to him about this project which visited our city and can already be seen on Netflix.
This month we interview Isona Passola, film producer and screenwriter, who is also one of the founders of the new Espai Texas project. We talk with her about this multipurpose space which is reopening with two rooms for screening films in Catalan, two for theatre also in Catalan and a bar.
This month we interview Mathieu Béjot, Director of Strategy and Development of Sunny Side of the Doc. We talked with him about this event dedicated to documentaries. The first Sunny Side of the Doc was held in 1990. Next year will therefore be the 35th edition of the documentary market.